Thursday, January 27, 2011

Merrittphoto on Instagram!

We got a fancy little iGadget over the holidays, and I have become completely addicted to a new form of social media / photo sharing, in the form of a free app called Instagram.

Through the app, you can photograph and apply from a selection of nostalgic and artistic filters... but the power is really in the ability to view, share, comment, "like," follow  and otherwise interact with photo-minded people from all over the world.  

Ridiculously fun and inspiring!

Here are some selections from my first few days of posting.  If you have an iPhone or iPod Touch, check out this free app and come say hello (@merrittphoto)!














Sunday, January 23, 2011

Dreaming of the NEXT in a Series... 2011

2010 Telluride AIDS Benefit Model photo, Outside the Box (framed as two separate prints, with the inner box set behind the outer):
Imagining for this year's photo has begun... Hint: this year's theme "Force and Grace"... stay tuned!

Monday, January 17, 2011

Capture Philosophy | PHOTO TIP 01: Aperture + Depth of Field

I have been asked several times lately by new dSLR owners to share tips on simple ways to make the most of their camera and take better photographs.  Every time I get into this conversation, I realize how much I love sharing my passion for all things photographic.

Wide Aperture (f2.8) chosen for creative composition and shallow depth of field

So I thought it could be fun to start a “Capture Philosophy / Tip of the Month” series on the blog.  Some of the information I share will be basic, nuts and bolts tips for people just getting to know their dSLR cameras, while other posts may be more philosophical, reflective of how I personally approach photography.

Please feel free to comment and/or ask for more info!

I’d like to start with creative use of Aperture, since I believe it can be one of the simplest to learn and most powerful ways to make every day photos more creative.  Learning how to use Aperture and controlling your depth of field (the area of the photograph which is in focus) can produce highly satisfying results, from the ability to isolate a subject in an otherwise busy setting, to maintaining crisp focus from front to back of a wider landscape shot.
Small Aperture (f16) used to achieve depth of field form foreground shadows to mountain peaks

Wide Aperture (f2.8) used to highlight only tiny area of focus and blur everything else










Wide Aperture (3.2) isolates model and permits handheld shot in low light





Smaller Apertures can be extremely useful in capturing serene landscapes, formal compositions, and often is the best choice in architectural work, where one wants to highlight relationships across a room or between adjacent spaces.

When combined with higher ISO (when necessary), larger apertures will allow you to shoot later into the evening in lower light conditions.  This approach will often eliminate the necessity of a flash, allowing you to make the most of - and more importantly maintain the mood of - natural and available light.
THE BASICS

Aperture means literally, opening.  The basic creative tools of your camera are 1) choosing the size of the opening  (aperture), and 2) how long it stays open (shutter speed).

What you need to know regarding the aperture, is that the numbers, or F-stops, are representative of fractions, so the smaller numbers represent a larger opening of the shutter, (f1.4, f2.8, f3.5, f4, etc.), and larger numbers (f11, f16, etc.) represent a smaller opening of the shutter.

What makes this all so powerful is that with selective focus of a larger aperture, you can narrow in on a shallower depth of field and isolate your subject so that everything else in the photograph is out of focus.

Wide Aperture (f2.8) + faster shutter speed = shallower depth of field (isolated subject in focus)

Smaller Aperture (f16) + slower shutter speed = greater depth of field (more in focus)

SUGGESTION

Find the setting on your DSLR camera for "A" (aperture priority).  Play with the extremes of this setting to see what they do when you are focused on something close to the camera (say, within a few feet). Don't delete the photos until you have had a chance to look at the differences on your computer screen with the same shot and extreme aperture differences.
Isolating Eyelashes with f2.8

As a point of reference, shooting with an aperture of F2.8 when your subject is within close range of the camera can allow you to focus on someone's eye, and the rest of their face will start to soften.

When used creatively and intentionally, makes for really professional looking people photos...

You will notice that the range of depth of field changes with the distance from the camera... (F2.8 won't have as dramatic of an effect if your subject is far away).

So, get out of your "Program Mode" ... Experiment, and HAPPY SHOOTING!
Play with focus in unexpected ways - EXPERIMENT!

Sunday, December 26, 2010

Tuesday, November 30, 2010

Tuesday, November 16, 2010

Sunday, November 14, 2010

Delicious Panzano's...

Hungry??  So was I when photographing these culinary works of art!!  See more of Chef Elise Wiggins' impossibly delicious creations at Panzano Restaurant in the gorgeous Hotel Monaco, right in the heart of downtown Denver.
Cheers!!


Thursday, November 11, 2010

Architectural Photography Portfolio Presentation



This slideshow offers a glimpse into my authentic, albeit indirect path and approach to my work in architectural photography -- a path which included many years in architectural design and a passion for landscape photography.

Included are photos of many GORGEOUS architectural gems in Colorado and the southwest! Enjoy!

Music: Zero 7, "Salt Water Sound"

Friday, November 5, 2010

Celebrating Autumn's End in the Mountains...


Fall in the mountains carries quite a weight for us crazy photo types.   My eyes often suffer an exhaustion of consumption after a gorgeous day of shooting.  I remember some autumns past, when upon the last leaf's falling I would breath a sad but honest sigh of relief... the pressure to capture dramatic light on fleeting color was gone.

This autumn I have been so busy shooting real jobs (for which I am hugely grateful!) that I have not had as much time for fun landscape outings, but I did manage one trip up to the Maroon Bells, and thought I'd share just a few of my favorites.  Hope you are all having a lovely fall '10!

Tuesday, September 28, 2010

McClure Pass Panorama

(click image to see larger)

My wide angle lens was recently rendered temporarily out of commission in a job-related tripod incident...

I might have normally pulled out that wide lens for a shot such as the above, encompassing such a vast expanse of scenery.  However, on the heals of my 16-35mm being sent to the shop, Outdoor Photographer's George Lepp inspired me (at this past week's first annual Telluride Photo Festival - I'm already excited for next year's festival!) to take out the 70-200mm and create a panorama from 7 different vertical shots (something I haven't done for a while).  Check out the above image by clicking to see it larger (although this is still a low res version).  What a satisfying experience to make a crisp, high resolution image with an older Canon 5D that would print over 4 feet wide!

The patterns up there were truly gorgeous... what an interesting fall, with some patches still green, and others completely bare already.  Here are some of the details that are in the panorama: