Experimenting with Optics + Light

When you fire a frame with your camera, you are literally painting that exposure with the light of that scene. This concept  has always fascinated me, and from time to time I like to intentionally play with that concept, pushing that light to create luminous paint strokes, if you will.

For an upcoming photo project I am experimenting with slowing down a fixed exposure in order to capture motion as something moves across an otherwise fixed scene. This can be challenging during bright daylight as the camera will quickly overexpose if the shutter is left open for more than a tiny fraction of a second. In order to compensate for that tendency to overexpose, today I have been playing with different kinds of mesh and filters.

A side effect of the mesh is that it creates lovely, ephemeral and soft bokeh patterns, made more subtle when using a wide aperture. (click on photos to enlarge, and note patterns in the background) 

I kind of love it. 

When you zoom in close on these files they start to look like a painter's brush strokes. 

Optics + light... how fun.

Environmental Portraiture | Denver Colorado

Sometimes it still catches me off guard how much I love photographing people.

I mean, I'm a photographer. And I genuinely love people. So I'm not sure why this should surprise me, but it does.  I think it's my background: architecture doesn't move, or feel self-conscious. Or blink.

But seriously, even with the unpredictability inherent in photographing a person, I can hardly explain how much of a thrill I find in making a person FEEL how beautiful they are. Maybe there is some thrill in not knowing what I'll discover in that session. Finding a gorgeous spot of light, setting a person at ease, making someone smile from their eyes ... it gives me butterflies just thinking about it.

And when the result is a set of photos like this? Crazy love. Seriously.

Springtime in the City

Rushing water is the hallmark of springtime in the mountains.  Rivers burst at the seams and ponds emerge in the valleys as snow melts and rages on its annual springtime descent. 

After a dozen or so of these high alpine springs, I had completely forgotten how abundantly beautiful this season can be at a slightly lower elevation!

It is April and already neighborhoods in Denver are bursting with color and new life.  And I, of course, as my eyes are on overdrive, I can't help myself but try to capture the new season in its birth.

I photograph because I have to.  Just ask my son, it's a compulsion over which I have surprisingly little control.  Compositions present themselves constantly, frozen moments of time, light and expression frame up in my view, even when I am not actively pressing a shutter.

As such, my camera often feels like an extension of my self; it is the tool through which, when I use it well, I am able to communicate my vision of the art and beauty that I see in my surroundings with the rest of the world.  The creative process drives me to the art of capture; the ability to share my work and evoke emotion from others is the inspiration.

Snow Falling on Spring Buds

There's a saying in Colorado, "If you don't like the weather, wait 5 minutes."

Yesterday I wore flip flops and walked (in short sleeves) to the Denver Botanic Gardens in 80 degrees of warm sunshine... even took off my shoes to enjoy the feel of warm soil between my toes for the first time this season.

Today... I photographed snow from my living room window.

Now, I did LOVE the sunshine and warmth of yesterday, but I'm not going to complain.  The smell of moisture in the air is a treasured gift in the wake of early season forest fires.  And on a more, perhaps, frivolous note, I can't deny loving a whirling snowfall such as this, and the backdrop of spring buds made for some fun, almost painterly compositions.

Newsletter: Happy New Year!! | Issue 02

Fun with Holiday Lights

Just a little holiday fun around the house... Happy Holidays, everyone!

Bokeh Fun

I decided to go freeze my fingers for one more visit to the Denver Botanic Gardens on New Year's Eve. I wandered around shooting lights and people for over an hour, and had just put my camera back in the safety and warmth of the big 'ol bag when one last tightly wrapped tree caught my eye. It is amazing how often I put away the equipment, only to pull it out "one last time" for what ends up being the best shot of the day.

Honestly, when I saw this last tree, my fingers were sufficiently frozen to the point that I could no longer get them to set the tripod back up, so decided to shoot handheld, with my aperture wide open and play with depth of field. Deliberately focusing on different planes of the branches would force others out of focus, and I was immediately having a great time framing and refocusing.

I always enjoy a good "painting with light" shot, too, so some long exposure motion experimentation was in order as well.

Enjoy!