Intimate Telluride Wedding

Simple, lovely details and a backdrop of magical fall color and light made this lovely, intimate wedding in Telluride, Colorado a joy to photograph.  I love my job!!

Scene on Site | Take 2

On a recent, whirlwind trip through Telluride, I found a few moments between photographing weddings to capture some moments of the gorgeous autumn up there.  I feel so lucky to have lived in such a spectacular place!

Enjoy!

 

 

Painting with Light

Warning: These photographs aren't for everyone.
But if you're among the curious... I'd like to share!  There's something I find enormously compelling and peaceful about leaving the exposure open just long enough to "paint" the sensor with a swath of light dotted foliage.  Resulting streaks of color appear painterly, but are completely the result of photographic processes.  I'm going to include a few sets here from my favorite experiments with this method.  Enjoy!

Jewelry Photography | Lauren Harper Collection (new)

Photographing precious gemstones and couture jewelry presents a unique set of challenges.  This most recent shoot for the Lauren Harper Collection was highly satisfying; even more satisfying was hearing joy from an ecstatic client!

Capture Philosophy | Photo Tip 04: Finding Portrait Light on Location

A week or so ago, I had the opportunity to work with talented Denver studio portrait photographer, Mark Pells, on an ambitious headshot project for the theatre department at my son's school.  

As a completely self-taught photographer and a HUGE fan of natural light, it was fascinating to watch Mark create magic with his studio lights.  I found it most interesting to learn that I am often drawn to or actively seeking out  the very conditions in the field, which he sought to create in the studio.

Thought I'd share a few of my personal favorite conditions through examples, in case you're curious to experiment the next time you're out photographing your family and friends.  

These are all photos I took on a single walk with my son on a bright, sunny afternoon in Denver (as you can see in the first photo below).  These photos were all taken with a 100mm macro lens with a Canon 5D, set on aperture priority (all shots are between apertures of 2.8 and 4.5).

Often, it is instinct for us to want to place our subjects in the sun.  But beware!  Direct sunlight can be a great dramatic tool when used intentionally, or with reflectors, fill light, etc., but if you are out with your camera and don't have such accessories (which I did not use for the shot above), not only will your subject likely be squinting, direct sunlight will create harsh shadows that generally aren't as flattering for skin tones, facial features, etc.  Thus, it is usually better to take the subject out of direct sunlight...

Once you take your subject out of the direct light, you'll have better luck getting even skin tones.  In this photo, light bouncing around from north and east facing windows at a coffee shop provided gorgeous, flattering conditions in the afternoon.  I simply exposed the shot to feature the correct amount of light in his eye and let the camera and natural light do the rest.  You can actually see the north facing windows reflected in his eye. 

In this shot, I asked my subject to stand in a spot of reflected light -- sunlight that was bouncing off the windows of a building across from us.  Beams of reflected light are fun to experiment with, and are a bit easier on the subject's gaze.  As you can see, while it still casts some dramatic shadows, it also can create fun magic in the eyes.

One of my favorite things to look for is nice, subtle bouncing light that is slightly weighted in its direction.  By that I mean that the light is essentially coming more from one side than the other creating a nice broad highlight on one side of the face, in this case, the side towards camera.  A darker background pops his face as the main focus of the composition.

These last two photos are shot on the same long wooden bench, but facing opposite directions.  In this first one, there is only indirect light on my subject, but an open area of VERY bright light behind him.  I exposed for his face (so essentially you'd need to OVERexpose if you were using a camera that meters for an overall scene), and I let the background go white.

For this photo, we switched positions so that the brighter area is now behind me (the camera), and it's a little easier to get a traditional photo with a nice tonal range, great skin tones and no hot spots.
And of course it never hurts to capture an impish grin :)
Happy shooting!!

Green Cube | Denver Architectural Photography

Denver's Highlands neighborhood has a fantastically diverse fabric of architectural styles, including many new, contemporary and sustainably built homes, such as UrbanGreen's latest, the LEED approved Green Cube home.

The home has strong architectural forms, a beautiful glass stair, and a wonderful Living Wall feature which purifies the air quality while simultaneously growing herbs and lettuces right around the corner from the kitchen... what could be better?

I was fortunate enough to photograph the project during its brief time as a model home for one of the talented designers, Heidi Mendoza of Re.Dzine.

See more photos from this shoot on my FB fan page.

Cheers!

Stir Cooking School

Cleaning out some old files over the weekend I realized that I never posted these photos of the gorgeous, Naka Designs interiors of Stir Cooking School in Highlands (Denver) CO.  Photographed in collaboration with architectural photographer Jason Jung, this was a great opportunity for us to compare styles and methods.  The final results hopefully combine the best of both worlds!